(added May 2006)
INTERVIEW WITH ALAN WILSON
( GUITARIST OF THE SHARKS; SONGWRITER, MUSICIAN AND PRODUCER OF SEVERAL
PSYCHOBILLY / NEOROCKABILLY RECORDS AND OWNER OF THE WESTERN STAR
made by Wildhank
You´ ve been playing Rockabilly
music since the late 1970´s. what was your first encounter with rockabilly ?
Why and when did you decide to play this kind of stuff?
I got into Rock n Roll music when I was about 10
or 11. My parents had old records in the house and I remember doing a school
project at the age of 11 about Buddy Holly. This would have been 1973. I was a
record collector and my hobby was collecting records from the 50's/early 60's
and so my whole life revolved around this type of music. School holidays would
be spent searching junk shops and auctions for old records. In the mid
70's all the rare US rockabilly started to become available and I became a
fanatical collector of Rockabilly records. Then it seemed like I wasn't the
only one any more. lots of people started to get into it and that whole revival
scene started in the UK. It was great. At the same time I was learning to play
guitar, playing along to these old records was just natural to me.
The original Sharks
split after a trip to Holland in 1983-within a few months after the
successful release of their debut album "Phantom Rockers".
What were the main reasons for the split? Have you ever regret that the band
split that early? I guess that The Sharks could have
easily been among Psychobilly´s top acts of the 80´s.
I don't regret it. The main reason we split was
because Steve (Whitehouse) and I were both clashing. We didn't get along, so
it was best we split. I wanted to concentrate on sound recording, which is
what I now do for a living. So the years following the Sharks
split were very important for me. They were the years I changed the direction
of my life. I was never very interested in live performance, but always very
interested in studios.
You´ve reformed The
Sharks back in 1993 with a new lineup. What's the story of the
I was producing an album and Gary Day was the
bassplayer. He said he used to like The Sharks and he
suggested the band reform. When I explained that I hadn't spoken to Steve
in 10 years and about the reasons for the split, he suggested that he
would be the bass player. So we did it.
The latest releases of The Sharks
were a "Best Of Sharks" and the MCD "Short
Shark Shock", that includes early and unreleased demos. Do
you have any new plans with The Sharks for the near
We have recorded half a dozen songs over the
past few years, mostly these have appeared on compilations on my label www.western-star.co.uk
The problem is that I am always so busy producing others that I rarely
have time for the Sharks. But, once I have enough tracks I
will collect them all together and release a Sharks album
on Western Star. I have no idea when that will be. It's
not really top of my list if you understand what I mean.
You ´re also involved--as a musician-- in
various side projects like The Woodies, Popeye´s
Dik and the Reservoir Teds-to name a few.
Tell me more about Chuck & The Hulas and Popeye´s
Popeye's Dik... well John
McVicker wanted to do an album, but he had no band at the time so he
paid me and a few friends to write and record with him at my studio.
That was fun.
Chuck & the Hulas is me
and Chuck (Harvey)- one of my best friends, just having fun and going crazy
with silly songs.
Speaking of Chuck Harvey. Do you remember when
you met him for the first time? When did your professional connection
with the Frantic Flintstones start?
I first worked with Chuck in 1990. His
previous engineer "Swordfish (Marc Hunt) went missing. So Roy
Williams recommended me. I had my own studio and Chuck came to me
and we co-wrote and demo'd songs together. We got on well and soon
became great friends. I am still very involved with Chuck - we do a
lot of business together. I own much of his publishing and his
music. I have also co-written with him a lot, and still do. I was in
his live band for a while, but I grew tited of that crazy lifestyle
and was also too busy with my studio to stay with him. I
have produced a lot of his stuff and we plan a new album together in
2007. I like working with Chuck a lot.
You worked as a producer and engineer for
bands like Frenzy, The Gazmen, Shock
Therapy--i reallly love their "Tearin’ Up The
Road"-- and Frantic Flintstones. What´s the
main difference between these two things (engineering and
Producing can mean anything from
overseeing all artistic decisions to organizing session men, to
paying for the project - it's a very broad term. Engineering means
getting the sound from the band, onto tape and then onto CD and
all that is involved along the way. It's the technical aspect. I
usually like to perform both roles.
You own record label the "Western
Star Recording Company" is also running since a few
years. Which are the planned releases for 2006?
We just put out a Joe Meek
Tribute Vol 2 CD and next up are another album from Jack
Rabbit Slim and another Bill Fadden CD.
What do you like most? Songwriting,
recording a new song, producing or releasing a new album?
They are all good things to do.
Each day of my life is a mixture of all these things.
You ve also issued the legendary
Psychobilly magazine "Deathrow"
from 1993-2000, that is now available as a
400 page book . What was the idea of "Deathrow"?
At the time the media was
ignoring psychobilly and it was left to home made, rather
amature fanzines to keep fans informed. Deathrow
was my baby and it grew into a thriving business. I had
access to the bands, and was recording many of them too. So Deathrow
was in a good position to get info and angles that others
didn't get. I can't claim all the credit, I had help from a
few friends, but I was the driving force and the one who paid
for the printing. To see it come out as a book was very
This is really my last question.
What are the best three albums you have ever produced? What
are the best three songs you´ve ever written?
I'm not sure about the
best... but my favourites:
- Frantic Flintstones, Champagne For
All - Frantic Flintstones, Wild
At Heart - Colbert Hamilton. Also
watch out for Nitro-Boy by Frenzy,
it should be out this year.